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		<updated>2026-09-05T18:41:31Z</updated>
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	<entry>
		<id>https://pm.haifa.ac.il/index.php?title=User:CanningKendricks995</id>
		<title>User:CanningKendricks995</title>
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				<updated>2012-06-27T10:27:18Z</updated>
		
		<summary type="html">&lt;p&gt;CanningKendricks995:&amp;#32;Created page with 'help guide to documenta  [http://newartnetwork.net/documenta/ read more] - A mild but relentless breeze, due to British artist Ryan Gander, blows through the Fridericianum in Kas…'&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;help guide to documenta &lt;br /&gt;
[http://newartnetwork.net/documenta/ read more] - A mild but relentless breeze, due to British artist Ryan Gander, blows through the Fridericianum in Kassel, one of the world's oldest museums. Three small sculptures by Julio Gonzáles, first shown in the second Documenta show in 1959, stay at home the draught. It's the wind of history, an air of uncertainty and impermanence. We have been blown about.&lt;br /&gt;
&lt;br /&gt;
[http://newartnetwork.net/documenta/ documenta 13] - Kassel's background and Germany's are unavoidable at Documenta 13, which opened on Saturday. The show fills town, from the stop to Karlsaue park, from Kassel's museums to its theatres and cinemas, from houses to hotel ballrooms. Documenta takes place every five-years, lasts 100 days, featuring 200 artists. You may be also influenced to travel further: to Kabul, where an Afghan outpost with the exhibition continues; in order to Alexandria, Cairo and Banff, where more related events take place.&lt;br /&gt;
&lt;br /&gt;
[http://newartnetwork.net/documenta/ read more] - Tacita Dean has brought the mountains of Afghanistan to Kassel, filling a former banking hall with enormous, beautiful blackboard drawings. Some are near-empty, just turbid blackness; others are filled up with moiling rapids and rushing rivers. There are sunlit mountaintops, dusty avalanches, chalky wipe-outs. The six panels certainly are a sort of storyboard, an evocation of your elsewhere. Dean's drawings are, I think, high time: geological time, the flash of the life, a passing thought.&lt;br /&gt;
&amp;quot;I'll just carry on till I recieve it right,&amp;quot; sings Tammy Wynette, in the snatch of song by Ceal Floyer. Again and again Wynette sings the words. Inside a nearby room hang still lifes by Giorgio Morandi, among some of the vessels and objects he painted and repainted, year after year, in the dusty room in Bologna. Morandi was always doing the same thing, but always rendering it new. Documenta is filled with such interruptions: new and ancient things, the living as well as the dead, mysteries and miseries.&lt;/div&gt;</summary>
		<author><name>CanningKendricks995</name></author>	</entry>

	<entry>
		<id>https://pm.haifa.ac.il/index.php?title=CanningKendricks995</id>
		<title>CanningKendricks995</title>
		<link rel="alternate" type="text/html" href="https://pm.haifa.ac.il/index.php?title=CanningKendricks995"/>
				<updated>2012-06-27T10:27:15Z</updated>
		
		<summary type="html">&lt;p&gt;CanningKendricks995:&amp;#32;Created page with 'help guide to documenta  [http://newartnetwork.net/documenta/ read more] - A mild but relentless breeze, due to British artist Ryan Gander, blows through the Fridericianum in Kas…'&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;help guide to documenta &lt;br /&gt;
[http://newartnetwork.net/documenta/ read more] - A mild but relentless breeze, due to British artist Ryan Gander, blows through the Fridericianum in Kassel, one of the world's oldest museums. Three small sculptures by Julio Gonzáles, first shown in the second Documenta show in 1959, stay at home the draught. It's the wind of history, an air of uncertainty and impermanence. We have been blown about.&lt;br /&gt;
&lt;br /&gt;
[http://newartnetwork.net/documenta/ documenta 13] - Kassel's background and Germany's are unavoidable at Documenta 13, which opened on Saturday. The show fills town, from the stop to Karlsaue park, from Kassel's museums to its theatres and cinemas, from houses to hotel ballrooms. Documenta takes place every five-years, lasts 100 days, featuring 200 artists. You may be also influenced to travel further: to Kabul, where an Afghan outpost with the exhibition continues; in order to Alexandria, Cairo and Banff, where more related events take place.&lt;br /&gt;
&lt;br /&gt;
[http://newartnetwork.net/documenta/ read more] - Tacita Dean has brought the mountains of Afghanistan to Kassel, filling a former banking hall with enormous, beautiful blackboard drawings. Some are near-empty, just turbid blackness; others are filled up with moiling rapids and rushing rivers. There are sunlit mountaintops, dusty avalanches, chalky wipe-outs. The six panels certainly are a sort of storyboard, an evocation of your elsewhere. Dean's drawings are, I think, high time: geological time, the flash of the life, a passing thought.&lt;br /&gt;
&amp;quot;I'll just carry on till I recieve it right,&amp;quot; sings Tammy Wynette, in the snatch of song by Ceal Floyer. Again and again Wynette sings the words. Inside a nearby room hang still lifes by Giorgio Morandi, among some of the vessels and objects he painted and repainted, year after year, in the dusty room in Bologna. Morandi was always doing the same thing, but always rendering it new. Documenta is filled with such interruptions: new and ancient things, the living as well as the dead, mysteries and miseries.&lt;/div&gt;</summary>
		<author><name>CanningKendricks995</name></author>	</entry>

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